Keith Thompson seems dead-set on debunking the first part of Peter Joseph’s emblematic forbidden-knowledge film, “Zeitgeist,” on account of its espousal of universal global systems, whether they be governmental entities, financial institutions or spiritual constructs. These, says Thompson, are the advancement of “theosophy, freemasonry and the new age.”
The symbolic similarities between disparate mythological narratives, alluded to by Joseph in Zeitgiest, to Thompson, discounts the psychological power of the narrative of the Gospels.
Zeitgeist, says Thompson, espouses Freemasonry.
